Black padlock drawing, pink marks and a black printed card.

Cover artwork by Anton Biletskyi-Volokh, from an unpublished reusable sketchbook in progress.

A thematic selection of translated notebook fragments.

The exercise of will rests largely on self-definition.


The subject emerges from the shock of encountering the Other.


Growing up means gradually creating a stable vantage point from which to observe yourself.


When character and talent are in conflict, talent usually loses.


A sense of self is not an intellectual concept. It is a warm presence.


A role model is always an inner rival. To become more original than the person you are copying.


It is always interesting to imagine someone's inner space. A mansion for one person, a tiny room full of junk for another, an unfinished building for someone else, a neat little house for another.


Psycho-acrobatics with self-directed aggression: stabbing yourself in the back.


Without a concept of yourself, it is hard to build a concept for yourself.


Tell me what your hell is like, and I will tell you who you are.


The idea that it is 'too late to start' disguises the fact that starting might be difficult.


People sometimes put so much effort into avoiding an encounter with themselves.


— How do you stay out of sight and make sure everybody notices you?


Tolerance is a sign of confidence. The less confidence there is, the more dangerous diversity seems.


The trouble with the flight response is that you always take yourself with you.


Intolerance of the variety of ways people can be is such a clear sign of insecurity.


No amount of 'becoming like somebody else' can compare with 'being who you are'.


Being the injured party as a way of being noticed, if only by yourself.


How am I supposed to fight my inner demons when I am a devil myself?


People often want confirmation of their idea of themselves and the world more than they want change.